The Mind of BLOC

BLOC— whose membership is primarily made up of young activists of color in social justice organizations across the country—has been run solely by Movement Strategy Center since 2005. For the last two years, BLOC’s central project has been the www.mybloc.net website, the online social networking site for organizers to share tools, strategies and curriculum nationally. MyBloc.net Uses web 2.0 tools and the skills of emerging people of color organizer-technologists to increase the effectiveness and impacts of base-building organizations while laying the foundation for the progressive youth leadership pipeline. Developed with Tumis Design in Oakland, CA, the BLOC site is currently being tested by BLOC members (active BLOC members are based in organizations such as Inner City Struggle, Make the Road by Walking, Elementz, Sista to Sista, and YO! The Movement). and will publicly launch by summer 2007. YMR interviewed Ibrahim Abdul-Matin, a founding member of BLOC, to learn more about BLOC and MyBloc.net for the youth media field before its’ upcoming launch.
How is current youth media relevant to supporting social movements, social change?
Youth media is the front, the face, and the lasting images of the change youth want to see enacted. We have to learn to be as forward thinking about issues such as race, gender, and class as we are a about technology’s influence on our culture – and how it can be used in the world of youth development and the political implications that directly affect young people.
Youth media is uniquely poised to amplify youth stories in supporting these alternatives and visions. As Steve Goodman, Director of Educational Video Center in NYC has stated, “youth media is similar to Highlander Center literacy training in the 1950’s.”
It was that literacy work of Highlander in that era, led by youth, to develop their literacy in all areas. Not just to read and write but also to read and understand the way society was changing around them—and how they could affect that change.
In that way, youth media is a new vanguard of sorts, bringing a whole new literacy of the political context into sharper focus through all forms of media and providing a megaphone for youth transforming their own realities.
From your point of view, why do we need a national youth movement?
I was recently at a national gathering of the Building Leadership Organizing Communities (BLOC) Network, a national network of youth organizers—BLOC is a political community of young progressives of color—and we posed that same question to ourselves.
The timing and desperate need for a national youth movement stems from the role that youth have traditionally played in the social and political landscape of our country. Young people, particularly those who emerge from the nation’s most disenfranchised communities have created vibrant movements that have changed this nation and pushed the social justice agenda forward. For example, look at recent history and see evidence of this from cultural revolutions in music to the tumultuous time of the SNCC and the Students for a democratic society. It is young people who charge forward and lead.
One of the BLOC network members, Azuscena Olaguez, from Chicago recently asked:
“How did the civil rights movement pass on leadership to other folks emerging? How can BLOC play that role? If BLOC had been connected and together there could have been a large response to the gulf coast disaster.”
Azuscena spoke to the need for generational learning transfer. Our political moment is one where youth are in dire need of support, development, and protection from the forces of war. Take the struggle of queer and transgender youth for example, or the rapid prison expansion taking place that makes it appear that there is a pipeline for youth to go from school to jail, instead of investing in alternatives and opportunities our society is making, which negatively affects a young persons prospect.
The need for a national youth movement is clear: young people need to be networked and strategically organized to develop their own alternatives and to articulate their own visions and dreams.
In regards to social networking how do you take advantage of web 2.0 and how does it function to develop a peer network?
Web 2.0 refers to the current trend that we are in with the internet. The motto being:
“I can participate”
The user controls and feeds content. Some examples of web 2.0 applications are: YouTube, Myspace, Ebay, Wikipedia, Flickr, Imeem, Facebook, etc… there are many other uses of the internet to form values based, culture based communities that either mimic and amplify face to face connections or create spaces online for unconnected folks to find one another such as these.
MyBLOC.net for example, is set up to host self-selecting groups, create alumni circles to provide long-term connection between participants at a training or conference and individually tailor learning circles to strategize on particular issues or campaigns on your block, or globally. The site connects individuals to organizations, and to each otherl.
It is poised to take on the web 2.0 applications mentioned above; however, such social networking spaces are critical to any organizations to identity itself in a new media landscape. Youth media organizations and collectives should incorporate all of these avenues in their outreach, marketing and messaging plans.
How is the Internet similar and different to other means of communication and media?
Speech, language, writing, drums, fire and smoke, religion, and the written word, are elements that accelerate and amplify messages of cultural, social, and political identity. The internet reflects these forms of communication but to an entirely different degree. The internet is a vast and expansive innovation in human communication history with bells and whistles and constant acceleration. What makes it different is the speed, range, and scope.
If you look, for example, at the way list serves are used today, they can be compared to newsletters, and before that to pamphlets—the internet delivers targeted content to people who understand the value of that content only now it is done instantly.
In addition, nearly every form of media can be “held” on the internet; from video, print, cartoons, and radio. It is the catch-all platform that is flattening communication structures and allowing for multitudes of messages to be out there and reachable from just about anywhere an internet connection is live.
How might youth media professionals learn from MyBloc as a social networking (internet based) plateau to collaborate, build/retain community, and network/share resources?
Well, youth media professionals need to know that MyBloc does not come out of a vacuum and it was not conceived as an online space. Actually, it came as a result of 10 years of trying to network progressive youth workers.
The first bloc discussion took place at Vasser College in 1998. From there chapters developed in the Bay Area of CA, and in the northeast and DC. Over that time it has mainly been a face-to-face people to people network of practitioners dedicated to youth work regardless of what they did for money. BLOC convened national gatherings in 1999, 2001, 2003, and 2004.
MyBloc comes out of an understanding of our solidarity internationally with other youth of color dealing with the effects of colonialism and imperialist oppression. In 2005 Bloc assembled the North American Action in Solidarity (NAS), which sent a delegation of over 30 youth organizers and activists of color to the World Social Forum in Brasil and four years earlier a delegation went to South Africa to see how that society was transforming.
Bloc has prioritized deep relationship building in the real world using technology now as a tool to keep those connections tight on a global scale.
How might youth media professionals begin to build their own version of MyBloc for the field (and/or how might they join)?
Youth media professionals can take their peer support circles that perhaps are already informal, or formal, local, regional, or national, and capture that on MyBloc. They can self-select and start local or regional bloc circles. BLOC is about agreeing to stay committed to developing youth leadership, transforming our communities so they are free form ALL forms of oppression and implies a movement building ethic – BLOC’ers connect their work to others doing similar work. They are focused on developing their own, organizational, networking, and leadership.
MyBloc is a progressive political community, which started face to face and decided to move online. Progressive media professionals can take the BLOC banner, logo and principles and adopt it as their own. Anyone can initiate learning, support, strategy, action and change circles. They can release curriculums on MyBloc—making them available to peers and youth to download—or use MyBloc as a means for organizing an event or convening, develop a plan for action, coordinate campaigns across borders and be creative in discovering new ways to use technology.
In addition, the Future5000.com—a searchable online database of hundreds of progressive youth organizations—is available as a resource on MyBloc.net and was built intentionally to show the interdependence of campus, community, culture, and electoral youth work.
If folks are building something similar here are some ideas; it should be user-centric, filled with the tools and content visitors want; the software itself should be open-source to encourage cross-platform work across the globe; and it should be developed by people who know and understand the particular issues that youth media professionals deal with in their important work.
Ibrahim Abdul-Matin is the Organizer Technologist at the Movement Strategy Center where he has guided the development of Future5000.com and MyBloc.net since 2004. A freelance journalist, and a Brooklyn native, Ibrahim is working on a novel and book of poetry. He was recently awarded a National Urban Fellowship and will soon pursue his MPA at CUNY Baruch in New York City.
Resources:
www.MyBloc.net
www.Future5000.com
www.Youthmediacouncil.org
http://www.echoditto.com/
http://www.onenw.org/
http://www.webofchange.com/
http://www.dotorganize.net/
Cool Social Networking Sites:
http://www.imeem.com/
http://rapspace.tv/
http://www.takingitglobal.org/

Continue reading The Mind of BLOC

2007 International Essay Contest for Young People

For youth essays on peace using media and technology |Deadline: June 30 2007
The Goi Peace Foundation and the United Nations Educational, Scientific and Cultural Organization (UNESCO) invite young people throughout the world up to 25 years of age to submit essays for the 2007 International Essay Contest for Young People. Entries are divided into two age categories for the awarding of prizes: up to 14 years and 15 – 25 years.
The competition’s theme is ‘The Role of Media and Information and Communication Technologies in Building a Peaceful World.’
Essays should comment on how media and communication and information technologies can be used to help build a peaceful world. First, second, and third place and honourable mention entries in each category will receive: (1st) 100,000 Yen (approximately US$840), (2nd) 50,000 Yen (approximately US$420), and (3rd and honourable mention) certificates and gifts. Multiple prizes will be given in all but the first place category. The first place winner will be invited to Japan to receive the award – travel expenses are paid by the sponsors.
Rules for the competition are:
a.. Essays must be 800 words or less, printed or typed in English, French, Spanish, or German.
b.. Each must include a cover page with the age category, title, your name, address, telephone number, fax number, email address, nationality, age as of June 30 2007, gender, school name and grade, and word count.
c.. Entries must be submitted by post or email.
d.. Essays must be original and unpublished.
e.. Essays must be written by one person.
f.. Copyright of the essays will be assigned to the organisers.
Interested parties must send their submissions to the address below.
The deadline for application is June 30, 2007.
Contact:
International Essay Contest C/O Goa Peace Foundation
1-4-5 Hirakawacho, Chiyoda-ku
Tokyo 102-0093 Japan
essay@goipeace.or.jp
SOURCE: http://www.comminit.com/awards2007/awards2007/awards-1637.html

UK TV partners with Mediabox

ITV’s regional broadband TV service ITV Local is to partner with Mediabox, the government’s £6 million media fund for young people.
Documentaries, short films, TV programmes and video podcasts from Mediabox projects will be added to the web service from late summer.
ITV Local’s director of programming, Lindsay Charlton, said: “ITV Local is a unique resource providing a platform for broadcast quality video content. This link-up will enhance the service we provide and give a really high profile platform to drive awareness for such community projects.”
ITV Local was first launched in the Meridian region in October 2005, was rolled out to ITV’s central region and to London in March this year. By the end of the year, it will be extended across England and Wales.
Mediabox was launched in December with funding from the Department for Education and Skills and offers grants for media projects for 13- to 19-year-olds. Individuals can apply for grants of up to £1,000 and organisations up to £80,000.
Katie Simpson, head of youth media at Media Trust, one of the partners involved in Mediabox, said: “The partnership with ITV Local is extremely exciting. Showcasing young people’s work to a mainstream audience is a key part of the Mediabox strategy.”
Article originally published at digitalspy.

Listen Up!’s Very Important Producers Awards 2007

Calling all youth filmmakers worldwide!
Announcing the Very Important Producers Awards 2007
http://www.listenup.org/vip2007/
Looking for an audience to watch your best films? How about an audience of youth filmmakers worldwide?
Listen Up!’s 2nd Annual Very Important Producers Awards is all about filmmakers, their friends & their allies watching and discussing the latest & greatest in youth media.
Deadline for Submissions: May 11th
Audience Rates Films: May 18th – June 1st
$1000 for the producing organization of the Audience Award for Best Achievement in Youth Media
$500 & $250 for Audience Award runner-ups
VIP “I’m Big in Youth Media” Packages for winning filmmakers in 11categories
iPod Video for winning filmmaker of Audience Award for Best Achievement inYouth Media
Winning films featured on the 2007 “I’m Big in Youth Media” DVD
http://www.listenup.org/vip2007/ has all the information you’ll need to get started. Listen Up!’s Matt Griffin is on hand to answer all of your
questions along the way: matt@listenup.org
VIP2007 is a great opportunity for filmmakers worldwide to share work and get the recognition they deserve.
The Listen Up! Team
http://www.listenup.org/vip2007/

Upcoming Grants

Teacher Trust Fund, AIRBORNE INC.
Grants ranging from $200-$10K will be awarded to teachers to support school art & music
programs. www.airbornetrust.com/grantapplication-action.aspx
Local Store Grants Program, TARGET.
Grants to $3,000 for nonprofit projects in the arts.
http://sites.target.com/site/en/corporate/page.jsp?contentId=PRD03-001818
Learning in the Arts for children & Youth, NATIONAL ENDOWMENT
FOR THE ARTS
.
Grants up to $150K for projects both in & out of school that help children/youth (5-18) acquire appreciation/ knowledge/understanding of, & skills in, the
arts & must provide participatory learning & engagement of students with skilled artists, teachers, & excellent art, & ensure & application of national, state, or local arts education standards. www.grants.gov/search/search.do?oppId=12192&mode=VIEW
Tu Voz My Venture Contest, MTV TR3s & YOUTH VENTURE
Grants of $1,000 to groups of young Latinos that have new & creative
ideas for after-school programs, organizations, clubs, or other ventures
that encourage & help Latino youth graduate from high school & prepare for
college. www.youthventure.org/index.php?tg=articles&topics=388&new=0&newc=0&PHPSESSID=8692941b5d1f7d2fd360e34f450a6e69

Benefit Concert for IndyKids

An evening of good food and music to support a free paper for free kids!
Friday, May 11th from 7-11pm
ABC No Rio
156 Rivington Street (between Suffolk & Clinton )
Manhattan, NYC
Subway: F to Delancey, J, M, Z to Essex St .
$5-$10 suggested donation
Music from:
Dave End – cupcake lovin’ honesty pop and radical fairy tales
Miwa Gemini- alternative/ blues/rockabilly
Griffin & the True Believers- doo wop punk and campfire anthems
Plus beer, wine, and baked goodies
IndyKids needs your support! IndyKids is a free progressive current events
newspaper and teaching tool for kids in grades 4-8. Every $50 pays for
printing 600 more free papers to reach 600 more kids.
Can’t make the event? Donate online at www.indykids.net or send a check to
“IndyKids” at P.O. box 1417, NY, NY 10276
Email: indykids@indymedia.org
Phone: 212-592-0116
Web: www.indykids.net

Cast your vote for Media Magic “Make a Difference” Contest

In honour of the 5th Anniversary of the Special Session for Children, UNICEF asked youth to look at the four priorities of the session’s adopted agenda “Building a World Fit for Children” and to create a one-minute video telling the world what young people think about the world they live in and how they’re making a difference.
10 finalists from over 100 entries were received. Visit Media Magic “Make a Difference” Contest to watch the finalists, and then cast your vote. Don’t forget that you need to register, if haven’t already, as a member Voices of Youth to vote. It’s easy!
Now it’s your chance to help choose the one-minute video that shows the “World Fit for Children.”
You have until 14 May, so vote NOW!

Immigration & Young People

April 21, 2007 from 9:30 AM to 1:00 PM
A training for youth ages 15-22 explore how immigration laws affect all non-citizens, regardless of status, and how to become involved in reforming immigration laws. Learn how issues concerning your lives connect to organized movements. For more info call: 212-627-227 X 248. Register by e-mail to info@nyslylc.org including name, age, organization, e-mail & phone number.

The Field is Bigger than We Think

Albuquerque, New Mexico was a unique place to meet youth media and service-learning practitioners, amongst several other organizations at the 18th National Service-Learning Conference where 2,500 people attended on March 23-27th. With inspirational speakers such as Jane Goodall and spiritual blessings by insightful native elders, the energy of leadership, wisdom, and connectivity filled the convention center with youth and adult allies excited about engaging more deeply as active and effective citizens.
Why Albuquerque, New Mexico as a relevant conference setting? Albuquerque has made young people a top priority in its city where, among other things, is a teen artistic haven and entertainment center coined Warehouse 21 (W21). W21 provides young people to manage, produce, teach, design, and administer art, media, promotion classes and music performances in collaboration with MAP21, a local youth-operated magazine.
Interwoven at the 18th National Service-Learning Conference (NSLC) was a few youth media organizations and individuals who have made a direct link between youth media and service-learning. On behalf of YMR, I met with people from three specific organizations—New Foundation Charter School’s, Native Youth Magazine.com, and Stories for Service/Digital Storytelling—to learn how these connections are important for youth media professionals in the field and how media can serve youth and communities respectively.
Kevin Dobbins, a young man working with video, production, and editing who was filming the conference for the second time around with a team of youth, has first hand experience blending youth media work with service-learning. I met him on the opening day of the conference as he handed out flyers promoting their video production and storyboard workshops. Dobbins is an alumnus of the New Foundation Charter School’s (NFCS) in Philadelphia, PA—which serves kindergarten to 8th graders (but whose media program includes youth/alumnae up to grade 12). While at NFCS, Dobbins participated in a service-learning course in conjunction with an after-school media program.
The two opportunities pushed him to portray issues in his community using ‘active video documentation’—Kevin’s term to describe service-learning documentaries. I asked Dobbins, who was first involved with the conference last year, what it is like to be in New Mexico, film the conference, and be part of the second round of youth-designed pre/post production and storyboard workshops. “I feel honored,” he said with a wide grin as he led me to the video production workshop headquarters where I am met with two media instructors from NFCS, Shoshanna Hill and Geanie Meerbach.
NFCS has a service-learning component integrated into its academic curriculum, thanks to Amy O’Neil and Shira Cohen (Founders of i-Safe and i-Drive). The after-school video production program is youth-oriented, includes a wide scope of age groups (as many high-school alumnae attend), and uses service-learning best practices to effectively align it with a credit-bearing course at the school. Meerbach explains, “We integrate issues important to youth with service-learning.” Youth create videos at NFCS as a way to uncover and comment on issues through active documentaries which are up to five minutes long. These documentaries are viewed internally by other students, and sometimes by parents, teachers, and community members. Many of the films bring attention to issues of particular relevance to young people, such as bullying, while providing a space for creative expression (where youth integrate thriller-esque styles and comedy).
Media Instructor Shoshana Hill explains:
“Internet safety and bullying, for example, are big deals to youth [right now at our school]. I don’t think adults realize how important these issues are [to youth]. Often, youth are burdened with societal pressures with oppressive messages such as ‘you shouldn’t know how to use .’ The issues youth in our program address are not [typically] known [to the community/audience]. Youth get everything from media. And bringing up the unknown and showcasing that on a screen, gets a certain issue attention, which youth learn to use strategically. Video has the power to communicate and get the word out about issues. Young people, by using this medium, learn not only how a video works, but what a camera doesn’t see, which teaches youth to ask questions, think in a story, and creatively use alternative communicative forms.”
Geanie Meerbach, who has been working as a media instructor for the past year at NFCS, plans to archive all student videos and active documentaries in the school library. Meerbach believes that access to these video documentaries on youth issues and experiences will help support generations of youth to come at NFCS. She also believes that the ability and desire of NFCS students to take leadership on issues important to the community, self, and one’s peers is a direct result of merging service-learning with active documentaries. Both Meerbach and Hill are passionate and dedicated media practitioners who see a direct link between youth media making and service-learning—which has had profound effects on both students and the issues they are tackling.
In addition to the NFCS conference attendees, Mary Kim Titla offered a workshop on native youth and storytelling at the conference. Titla has spent more than half of her life as a professional storyteller, including 20 years for NBC as a news reporter. She mentors young Native storytellers through her website, Native Youth Magazine.com. At her workshop, two young storytellers spoke about the importance of storytelling, writing, and how they entered the world of storytelling through pow wows (a cultural tradition amongst Native Americans).
Native Youth Magazine.com promotes youth initiatives, youth storytelling, website design, cultural presentations, media relations, video production/narration, and more. Founded by Titla, Native Youth Magazine.com offers youth a forum to view and upload video clips, audio, profiles, galleries and blogs. As she explained in her workshop, the website “addresses real world issues through the ancient craft of storytelling.” Adding storytelling to technology builds a sense of unity that is meaningful.
As a mother of teenagers, Titla realized that there were “not enough positive websites about Native American youth communities and activities that could connect Native American youth with one another.” Titla explains that youth who have access to technology are part of a generation that is up to speed on the latest technology—they are really into figuring out how things work, function, and what advanced features new technology offers.
Throughout Titla’s work and life, she emphasizes the importance of language, signs, and symbols to one’s history, personal transformations, and cultural knowledge. She believes that the importance of storytelling enhances one’s identity and community—which are integral to learning how to serve and give back to where one’s roots are laid. By creating Native Youth Magazine.com, Titla engages youth with a passage way that connects them to their cultural identity, to their peers, and to the power of story telling in a digital age.
Story telling fosters a sense of identity, lineage, and service in youth in many ways. The National Service-Learning Conference also featured Stories of Service, a program of Digital Clubhouse Network. Stories of Service (SOS) mobilizes young people to interview and produce digital stories (multimedia videos) about the memories of women and men who serve the nation. SOS is dedicated to developing innovative ways of using technology to build stronger communities, with an emphasis on mobilizing youth in service to their communities.
SOS was launched in 1998 and founded in 1996 in Silicon Valley, CA out of a NASA research project and currently partners with the History Channel, Youth Service America, and the National Youth Leadership Council. SOS engages youth with skills such as video production, interviewing, writing, visual arts, research, and intellectual property/copyrights. SOS provides an electronic toolkit of curriculum on their website www.stories-for-service.org, training workshops, and orientations.
SOS captures stories of those who serve the nation who:
• Are universally inclusive, reflecting the contributions of individuals of all backgrounds;
• Are ordinary individuals who have received little recognition for their extraordinary service;
• Provide youth with role models for ongoing service; and
• Engage youth with older generations by creating a “youth to youth” connection (youth producers are similar in age to the Storytellers during the Storytellers’ time in service)
At the conference, youth from SOS conducted interviews with elders from the local Albuquerque community as well as other elders with strong backgrounds in service-learning to capture their digital stories. Teams of youth were paired with an elder storyteller to create an opportunity for intergeneration learning and togetherness. Video became a tool both to build community and document personal histories of older generations. Ryan Hegg, the Project Director of Stories of Service, explains that there is power where “young people volunteer to capture stories and share them—media is a modality for preserving stories and history.”
Preserving stories, working with elders, and using media to highlight local issues are all elements of youth media directly related to service-learning. As Nelda Brown, the Director of the National Service-Learning Partnership explains, “The service-learning field is bigger than we think. Often our colleagues using youth media, youth organizing or other engagement strategies to pursue community change are in fact doing service-learning, often with even stronger social justice outcomes for participants and neighborhoods. We need to recognize, embrace and learn from their work to strengthen our mutual goals of community improvement, equity, and justice.”
Bridging service-learning and youth media has profound effects on youth and their communities. Both the service-learning and youth media fields ought to recognize and learn from each other’s work, especially on specific areas of overlap. Whether its documenting oral history through a generation of elders using video, sharing one’s cultural identity and experience through journalism and pow wows, or actively documenting issues in one’s school—youth are taking on socially conscious, activist roles in using media to engage with their sense of self, community and belonging.